Menander was the best-known writer of Athenian New Comedy, the comedy of everyday family life that came after the age of Aristophanes.1,2 He was the son of Diopeithes, from Cephisia, a village of Athens.3,4 He is said to have written 108 plays, but he won the prize only eight times.4,5,6 In antiquity he was one of the most popular and admired of all poets. Then his plays were lost, and most of what we can read of them today was found on papyrus in Egypt in the twentieth century.1
Debated among scholars His dates come from a Greek inscription found at Rome: born in the year of the archon Sosigenes, 342/1 BC, died aged fifty-two in the year of Philippus, 292/1.3 Modern accounts differ by a year or two: one standard handbook puts his birth in 344/3, and some writers place his death about 290.1,4
A young man of Athens
An ephebe was a youth who had come of age, at Athens about eighteen years old.7 Strabo reports the story that the philosopher Epicurus served his time in Athens, and “that Menander the comic poet became an ephebus at the same time”.8 An ancient short history of comedy says that Menander spent a long time with the comic poet Alexis and seems to have been taught by him, and that “He produced his first play as an ephebe”, in the year of the archon Philocles, 322 BC.3
He moved among philosophers and statesmen. Diogenes Laertius reports, from a lost book by the scholar Pamphila, that Theophrastus, who took over Aristotle's school, “taught Menander the comic poet”.9 Menander was also a friend of Demetrius of Phalerum, the philosopher who “set laws in Athens” in 317/16 according to the Parian Marble, a chronicle carved in stone.10,11 When Demetrius himself came under attack in Athens, Menander “was very nearly brought to trial for no other cause than that he was a friend of Demetrius”, until Demetrius' nephew begged him off.11
Prizes and rivals
At the festival of the Lenaea in the winter of 316 BC his Dyskolos won first prize: a production note copied at the head of the play in an ancient book says so, and names his leading actor, Aristodemus of Scarphe.3,12 The Parian Marble dates his first victory to 316/15; the two records do not quite agree.10 Not every play was staged when planned: another note says that he wrote The Imbrians for the Dionysia of 302/1, but the performance did not take place because of the tyrant Lachares; the actor Callippus put it on later.3
Ancient tradition / legend His rival Philemon often beat him, by bribery and favour, says the Roman writer Aulus Gellius. Meeting him once, Menander is supposed to have asked: “Pardon me, Philemon, but don't you blush when you defeat me?”5,6 Gellius quotes the chronicler Apollodorus: 105 plays, of which only eight won.5,6
Ancient tradition / legend A note on a poem of Ovid says that he drowned while swimming in the harbour of Piraeus.3 Pausanias saw his grave by the road from Piraeus to Athens: «Μενάνδρου τοῦ Διοπείθους», “that of Menander, son of Diopeithes”.13
What survives
No one copied his plays in the Middle Ages, or no such copy survives: there are no Byzantine manuscripts of them.3 Until the end of the nineteenth century he was known only from lines quoted by other writers.1 Then papyri began to turn up in Egypt. A book of his plays copied in the fifth century AD gave large parts of three comedies: The Arbitration (Epitrepontes), The Girl with her Hair Cut Short (Perikeiromene) and The Girl from Samos (Samia).14,15 In 1958 came the great prize, the Dyskolos, from a papyrus book said to have been bought in Egypt for the collector Martin Bodmer.16,17 Of about 969 lines only about nine are missing, so it is the one comedy of Menander, and of the whole of New Comedy, that we can read almost whole.18 The same book has also given us large parts of the Samia and about half of The Shield (Aspis), published in 1969.1,16
Then there is the collection called the Sententiae, or One-line maxims: several hundred single lines of moral advice that went about under his name.15,19 The reader's Greek text of it is printed from Manfred Ullmann's book on the Arabic versions of these “so-called” sayings of Menander,20 and many of the lines are not his at all.15,21
Reading Menander
The Dyskolos opens with the god Pan coming out of his shrine at Phyle, a village of Attica some thirteen miles north-west of Athens, and telling the audience about his neighbour (our translation from the Greek text on Wikisource): “Knemon, a thoroughly inhuman human being, and bad-tempered towards everyone”.18,22 The play's title is that last word, δύσκολος, which the great Greek dictionary of Liddell, Scott and Jones explains as, properly, “hard to satisfy with food”, and so in general “hard to please, discontented, fretful, peevish”.7 In the fourth act Knemon falls into his own well and is rescued by his stepson Gorgias, whom he had always kept at arm's length, and by the young lover Sostratos; then, in a long speech, he admits his mistake (our translation): “One thing, perhaps, I got wrong: I thought that I alone of all men was sufficient to myself and would need nobody.”22
Short lines of his were quoted everywhere. Strabo, describing the island of Ceos, recalls a law there that the old should drink hemlock, and quotes Menander: «ὁ μὴ δυνάμενος ζῆν καλῶς οὐ ζῇ κακῶς», in H. L. Jones's English “Phanias, the law of the Ceians is good, that he who is unable to live well should not live wretchedly”.23 In his comedy The Flute-Girl (also called Arrhephoros), a man warned not to marry answers «ἀνερρίφθω κύβος», “The matter is decided—the die is cast”.24 Plutarch says that Julius Caesar shouted the same two words in Greek when he led his army across the Rubicon; whether Caesar had Menander in mind, Plutarch does not say.25 And Saint Paul, writing to the Corinthians, warns «φθείρουσιν ἤθη χρηστὰ ὁμιλίαι κακαί», “Evil companionships corrupt good morals.”26 The line probably comes from Menander's lost play Thais.1
The Sententiae are easier still. «ἀναφαίρετον κτῆμ᾿ ἐστὶ παιδεία βροτοῖς», “for mortals, education is a possession no one can take away”; «ἄγει δὲ πρὸς φῶς τὴν ἀλήθειαν χρόνος», “time brings the truth to light”; «ἀνδρὸς χαρακτὴρ ἐκ λόγου γνωρίζεται», “a man's character is known from his speech” (our translations).20
Why he matters
Ancient critics gave him the highest praise. Plutarch admired how Menander “so blended his diction that it comports with every nature, disposition, and age”, though he “entered upon his career while still a young man and died at the height of his powers as playwright and poet”. He asks: “For what reason, in fact, is it truly worth while for an educated man to go to the theatre, except to enjoy Menander?”27 For the Roman teacher Quintilian, a careful reading of Menander alone would teach an orator all he needs, “so perfect is his representation of actual life”.28 Pausanias saw his statue in the theatre at Athens among the poets, and notes: “With the exception of Menander no poet of comedy represented here won a reputation”.29
Ancient tradition / legend The scholar Aristophanes of Byzantium is credited with the most famous compliment of all: “O Menander and Life, which of you two imitated the other?” (our translation of the Greek given by Smith's Dictionary).19
Rome learned comedy from him. A papyrus of Menander's Double Deceiver (Dis Exapaton) runs parallel to part of Plautus' Latin Bacchides, and Terence said in his prologues that he had joined two plays of Menander, the Andria and the Perinthia, to make his own Andria.12 Julius Caesar praised Terence in verse, a little backhandedly, as “thou half-Menander”.30 Through Plautus and Terence, the characters and plots of New Comedy, with its young lovers, stern fathers, cunning servants and sudden recognitions, passed into the comedies of Shakespeare and Ben Jonson in England and Molière in France.2