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The Painted StoaThe Kerameikos

The KerameikosΚεραμεικός

Athens' potters' quarter and its main cemetery, one of the city's most important excavations. Pots and graves are much of what archaeology has to work with.

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A section drawing. Excavators draw the side of every trench like this, layer by layer, before the next layer is dug away. The deepest layers are usually the oldest, unless something, like the looters' pit here, has cut through them. (An illustration, not a real site.)
  1. 1 The trouble with digging topsoil, cut by a pit
  2. 2 How we know sherds in a clay layer
  3. 3 Great sites wall foundations
  4. 4 Great finds a grave and its offerings

Layer 1 · topsoil, cut by a pit

The trouble with digging

Excavation destroys what it records. Early diggers hunted treasure and heroes, looters still dig for the market, and who should keep what was found is argued to this day.

The potters' quarter

The potter

Turn a neck-amphora, paint it as they did, and share it.

Photographs of the finds. I. Plaster cast in the Acropolis Museum of part of block IV of the Parthenon's east frieze; the marble original is in the British Museum, Original 5th century BC; modern cast. Acropolis Museum, Athens. Photograph by Deiadameian. CC BY-SA 4.0, via Wikimedia Commons. II. Attic Geometric krater attributed to the Hirschfeld Workshop, painted with a funeral, c. 750–735 BC. The Metropolitan Museum of Art, New York (14.130.14). Hirschfeld Workshop. CC0, via The Metropolitan Museum of Art. III. Red-figure amphora attributed to the Berlin Painter, c. 490 BC. The Metropolitan Museum of Art, New York (56.171.38). Berlin Painter. CC0, via The Metropolitan Museum of Art. IV. Painted reconstruction of the Peplos Kore (original c. 530 BC) by Vinzenz Brinkmann and Ulrike Koch-Brinkmann. Exhibition "Gods in Color". Photograph by Marsyas. CC BY-SA 2.5, via Wikimedia Commons. V. The North Entrance of the palace at Knossos, as reconstructed for Arthur Evans, with a copy of the charging-bull relief, Bronze Age palace, reconstructed in the 20th century. Knossos, Crete. Photograph by Jebulon. CC0, via Wikimedia Commons. VI. Gold funeral mask from Shaft Grave V at Mycenae, the so-called Mask of Agamemnon, 16th century BC. National Archaeological Museum, Athens (NAMA 624). Photograph by Jebulon. CC0, via Wikimedia Commons. VII. Schliemann's trench at Troy (Hisarlik), cut through the mound in the 1870s, Excavated 1870s. Hisarlik, Çanakkale province, Turkey. Photograph by Dosseman. CC BY-SA 4.0, via Wikimedia Commons. VIII. The Street of the Tombs in the Kerameikos, where the Sacred Way to Eleusis began. Kerameikos, Athens. Photograph by Jebulon. CC0, via Wikimedia Commons. IX. King Aegeus consults the Delphic oracle; the goddess Themis sits on the tripod. After a red-figure cup by the Kodros Painter, c. 440–430 BC, drawing published 1846. Antikensammlung, Berlin (F 2538). Drawing from Eduard Gerhard, Das Orakel der Themis (1846). Public domain, via Wikimedia Commons. X. Silver tetradrachm of Athens, c. 440–404 BC. The Metropolitan Museum of Art, New York (2021.40.80). CC0, via The Metropolitan Museum of Art. XI. The Antikythera mechanism, fragment A, 2nd–1st century BC. National Archaeological Museum, Athens. Photograph by Logg Tandy. CC BY 4.0, via Wikimedia Commons. XII. Clay tablet inscribed in Linear B, from the palace of Pylos, 13th century BC. National Archaeological Museum, Athens. Photograph by Sharon Mollerus. CC BY 2.0, via Wikimedia Commons. XIII. Fragment of a stone allotment machine (kleroterion). Museum of the Ancient Agora, Athens. Photograph by Marsyas. CC BY-SA 2.5, via Wikimedia Commons. XIV. Ostraka inscribed with the name of Themistocles, 5th century BC. Museum of the Ancient Agora, Athens. Photograph by Zde. CC BY-SA 4.0, via Wikimedia Commons.

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μῆνιν ἄειδε θεὰ Πηληϊάδεω Ἀχιλῆοςοὐλομένην, ἣ μυρίʼ Ἀχαιοῖς ἄλγεʼ ἔθηκε

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